▒⡷▒⡷░𝐂░𝐎░𝐍░𝐓░𝐄░𝐌░𝐏░𝐎░𝐑░𝐀░𝐑░𝐘░ ░𝐀░𝐑░𝐓░ ░𝐅░𝐎░𝐑░ ░𝐘░𝐎░𝐔░𝐑░ ░𝐃░𝐀░𝐈░𝐋░𝐘░ ░𝐈░𝐍░𝐒░𝐏░𝐈░𝐑░𝐀░𝐓░𝐈░𝐎░𝐍░⢾▒⢾▒
domenica 28 febbraio 2016
sabato 27 febbraio 2016
Konzerthaus Blaibach · Bavarian Forest
![]() |
Architect peter haimerl has designed the town’s concert hall as a stone clad rectangular volume, which emerges from the ground with an inclined orientation. the building’s tilt produces the slope necessary for the auditorium’s seating, while also creating the building’s main entry from the adjacent public square. inside, the hall’s surfaces are made of overlapping pre-cast concrete panels, whose composition conceals the lighting and regulates acoustical qualities of the space. |
venerdì 26 febbraio 2016
Joel & Ethan Coen - Shot | Reverse Shot
How do you film a conversation? Most likely, you’re going to block the actors, set up the camera, and do shot/reverse shot. But where do you put the camera? What lens do you use? And how do you cut back and forth? Today, we consider the Coen brothers — Joel & Ethan — and see how these choices lend a particular feel to their version of shot/reverse shot.
For educational purposes only.
Iscriviti a:
Post (Atom)