Directed by Sadiel Gomez |
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Visualizzazione post con etichetta Videos. Mostra tutti i post
Visualizzazione post con etichetta Videos. Mostra tutti i post
sabato 15 giugno 2024
domenica 24 dicembre 2023
mercoledì 29 novembre 2023
domenica 12 marzo 2023
mercoledì 18 gennaio 2023
In Flames π΅ Meet Your Maker
The new album "Foregone" will be out February 10th, 2023 |
Meet your maker
Say something that makes sense
These are your last words
So make them worth the wait
Say something that makes sense
These are your last words
So make them worth the wait
Meet your maker
It’s time to set things straight
These are your last words
Make them count or it’s too late
It’s time to set things straight
These are your last words
Make them count or it’s too late
In time we all disappear
We’re pushed to the edge
The countdown has begun
We’re pushed to the edge
The countdown has begun
At the end of the masquerade
Your time’s up, now there’s hell to pay
It’s only down from here
You think you have a choice but there’s no other way
Your time’s up, now there’s hell to pay
It’s only down from here
You think you have a choice but there’s no other way
Meet your maker
As you receive the final key
These are your last words
Are you ready to see what lies beneath?
As you receive the final key
These are your last words
Are you ready to see what lies beneath?
Meet your maker
Everything else is dead
This is the final moment
All is done and all is said
Everything else is dead
This is the final moment
All is done and all is said
venerdì 4 marzo 2022
Coralie Vogelaar :: Random String of Emotions
Emotion recognition software analyzes our emotions by deconstructing our facial expressions into temporal segments that produce the expression, called Action Units (AU; developed by Paul Ekman), and breaking them down into percentages of six basic emotions, happy, sad, angry, surprised, scared, and disgusted.
sabato 30 ottobre 2021
lunedì 22 marzo 2021
sabato 2 gennaio 2021
| LjΓ³s |
LjΓ³s (Icelandic for ‘light’) has been conceived in continuity with the research carried out by fuse* in the field of digital and performative arts, which explores the deep connection between light, space, sound and movement. In LjΓ³s, the performer is the means that allows the viewer to access a surreal and dreamlike space, a dimension with no gravity nor time, made by sounds and images reacting and interacting in real time. A shape-changing universe, which evolves from amniotic fluid in the beginning – protecting and supporting the performer – to the setting for violent explosions and transformations later – leading her to a direct contact with ground and Earth.
lunedì 28 dicembre 2020
Blo Que :: Dialogo
Ceramic carved phonemes, petal-made equalizers, neon oscilloscopes, water and soil as graphical notations, dichroic reflections on sound surfaces. "Dialogue" is an essay about sound, language, and their visual representation. The encounter of two voices triggers a conversation, an unintelligible dialogue where objects react to soundscapes.
Dialogue means change.
venerdì 20 novembre 2020
Quiet Ensamble :: Artificial Sun
The space floats in a suspended time, inhabited by the sun's rays and the moving shadows that dominate the surrounding architectures.
The audience crosses a timeless place, where time is different, where sunrise and sunset meet, the suns are multiple and the twilight drowns in a stroboscopic dawn.
A 360 degree video-mapping that, thanks to the use of 49 video projectors, simulates the movement of the sun around and inside the hall of the Salone degli Incanti in Trieste.
giovedì 19 novembre 2020
sabato 7 novembre 2020
domenica 18 ottobre 2020
Jeremy Rotsztain :: BECHA-KPACHA
BECHA-KPACHA is an algorithmic music video for the electronic musician COH. The song's tittle (pronounced Vesna Krasna) was taken from an old Russian poem and roughly translates "Spring the beautiful", though it can also mean "Spring the red."
The animation reference's traditional Russian folk patterns, commonly known as Hohloma. In these patterns, colorful plant leaves expand and twist around one another while fruit grows along side. These patterns were a starting point for this sound-responsive animation.
BECHA-KPACHA was programmed using openFrameworks. It uses Kyle McDonald's ofxFFT library for audio analysis and James George's ofxTimeline for arranging the different visual objects and behaviors. COH provided me with a collection different audio tracks — synthesizer arpeggiators, percussion, bleeps and bass — which were used to trigger and animate various shapes in three dimensional space.
BECHA-KPACHA is one of a handful of videos that accompany the release of his album "To Beat" on Editions Mego. Other videos, by Julieta Triangular, Mariann Lois-Iron and Paul Prudence can be found on COH's Vimeo channel.
Jeremy Rotsztain (b. 1977 in Toronto, Canada) is an artist and software programmer working with computer graphics to explore new modes of abstraction—across video installations, virtual reality worlds, mobile phone applications, and digital prints.
domenica 21 giugno 2020
mercoledì 3 giugno 2020
venerdì 19 aprile 2019
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