如是 (RuShi) means “as is”. Nothing more or less, but the true colors. It’s a piece of contemplative immersive installation art, where in using the ancient Chinese metaphysic algorithm, “八字” (BaZi). Yet take out all the extra cultural signs & materialistic interpretations, remain only the “Basic”, i.e. the 5 elements (gold/ wood/ water/ fire/ earth). Participants type in their date & time of birth, the fortune-telling algorithm turns out showing only the unique ones’ flow of colors. We can see no prediction of life from this machine, but only time & changes.
“What do you want to know?”, both data scientist or fortune-teller have the ability to turn the world of uncertainty into quantified numerical existence, then giving us an answer with future prediction. Big data seems inevitably becoming our new religion. If so, what is information? And what are the emotions? Interesting though, we want to be in control, but from BaZi to predictive analytics, we allow ourselves to believe in something that we don’t understand how it works. And so, you would say it is knowledge or superstition? “What do you want to be?”, intelligent algorithm or you can answer this question better? I am part of the data therefore I am? Where exactly humanity will go?
▒⡷▒⡷░𝐂░𝐎░𝐍░𝐓░𝐄░𝐌░𝐏░𝐎░𝐑░𝐀░𝐑░𝐘░ ░𝐀░𝐑░𝐓░ ░𝐅░𝐎░𝐑░ ░𝐘░𝐎░𝐔░𝐑░ ░𝐃░𝐀░𝐈░𝐋░𝐘░ ░𝐈░𝐍░𝐒░𝐏░𝐈░𝐑░𝐀░𝐓░𝐈░𝐎░𝐍░⢾▒⢾▒
mercoledì 21 ottobre 2020
martedì 20 ottobre 2020
lunedì 19 ottobre 2020
domenica 18 ottobre 2020
Jeremy Rotsztain :: BECHA-KPACHA
BECHA-KPACHA is an algorithmic music video for the electronic musician COH. The song's tittle (pronounced Vesna Krasna) was taken from an old Russian poem and roughly translates "Spring the beautiful", though it can also mean "Spring the red."
The animation reference's traditional Russian folk patterns, commonly known as Hohloma. In these patterns, colorful plant leaves expand and twist around one another while fruit grows along side. These patterns were a starting point for this sound-responsive animation.
BECHA-KPACHA was programmed using openFrameworks. It uses Kyle McDonald's ofxFFT library for audio analysis and James George's ofxTimeline for arranging the different visual objects and behaviors. COH provided me with a collection different audio tracks — synthesizer arpeggiators, percussion, bleeps and bass — which were used to trigger and animate various shapes in three dimensional space.
BECHA-KPACHA is one of a handful of videos that accompany the release of his album "To Beat" on Editions Mego. Other videos, by Julieta Triangular, Mariann Lois-Iron and Paul Prudence can be found on COH's Vimeo channel.
Jeremy Rotsztain (b. 1977 in Toronto, Canada) is an artist and software programmer working with computer graphics to explore new modes of abstraction—across video installations, virtual reality worlds, mobile phone applications, and digital prints.
sabato 17 ottobre 2020
venerdì 16 ottobre 2020
giovedì 15 ottobre 2020
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